Ecard for the University of Florida

Hello everyone!

For my final showcase, I was assigned to create a holiday e-card that the University of Florida could send.

I chose to do a general holiday e-mail for campus closures from December 24th-January 4th (since both Christmas and New Year’s fall on Fridays). This closure is entirely made-up, and otherwise I am not affiliated with the offices of University of Florida, so don’t take this card seriously!

My thought process was to, of course, go forth and find a cartoonish alligator. I found an image that I liked and used the magic wand tool to delete the background. I googled for free santa hat vectors and arranged it on top of the gator’s head. Finally I added a small red ellipse to the alligator’s nose so he could look like Rudolph.

After I designed the alligator, I drew a speech bubble with the pen tool and filled it with plain white. I added a bevel and emboss effect to the speech bubble (and the red nose). From here I added “HAPPY HOLIDAYS” in UF orange with, again, a simple bevel and emboss effect. I then Googled around and found this free snow layer style, which I added to the top of the type with the brush tool. I decided to go with the snow theme and found the blue background with snowflakes. Since it wasn’t very big, I added a UF blue rectangle on the bottom and used it as my “main body” box and added the text. I mimicked this step for the “header.” I then found the transparent Christmas lights online and added it as a bottom border.

For my lighting effect (a mandatory feature), I chose to copy the entire image and paste it into a new document to not disturb the entire image. I merged the layers together on this new document and added individual point lights to each Christmas light on the bottom of the card. This effect really brightened the card as a whole and tied it all together.

Here is my final e-card image:


Moodboards and Imagery

This week in Digital Imagery we discussed ways to get inspired for imagery projects. Specifically we talked about moodboards and how you can use them to visually illustrate a certain style. They help flesh out ideas that may be bouncing around in your head so that other people don’t need to be psychics to know exactly what you’re thinking! 🙂

Our showcase assignment was to create a moodboard for a brand. I chose to do my own personal brand, because although in infancy, it’s growing every day. In another class I’m currently taking, Web Design Principles (a class which teaches the foundation of HTML and CSS), my semester-long project is to create my own portfolio website. I hope that this moodboard helps get, well, the mood of my website across and keeps me on track for the theme of my website.

It would be hard for me to dive into my moodboard without explaining my website idea first. It is a portfolio-based website, but because I like websites with a theme, I decided to make my website based around the idea of walking down a trail. I want the user to feel immersed in outdoor imagery: lots of trees, animals, dirt, etc. I want you to be “walking” and then end up at a “fork in the trail,” where you click the trail you want to follow to get to the various pages of my website.

With my theme for my project in mind, I went on various stock imagery websites such as and and downloaded (way too many) images. I also wanted fonts that were very light and airy and reminded me of the woods. At first I went on, but when I read the agreement that came with a font I had chosen, I realized it was not permitted for use on personal branding websites. For this project that would have been fine, but because I eventually want to use certain fonts for my branding website, I decided to switch to fonts offered on TypeKit to be on the safe side. I downloaded about five fonts to choose from.

After I collected my images and fonts, I opened Photoshop and began to construct my moodboard on a 10×8 inch document. We were not allowed to use templates, so I began by adding many different colored rectangles, and threw in a few ellipses just to spice things up a bit. moodboardlayoutTo the right you can see what it looked like when I was finished constructing the layout. I know it looks a little wild right now, but the colors help differentiate the shapes in my layers panel. From here I began to embed the stock images into the document by importance. I started with my favorite image, which I put in the very center, navy blue box. I situated the image’s layer behind the navy blue box, and changed the opacity of the box to ~60% so I could see the image behind it as I adjusted it’s size. The image was much larger than my square, so I had to free transform it (Command + T) to resize it to properly fit. Once I was happy with it, I moved the image’s layer above the box, changed the box’s opacity back to 100%, right clicked my image’s layer and clicked on “Create Clipping Mask.” This feature allows you to clip the top image to fit the bottom image, which I think is just too cool! The best part is, if it doesn’t fit perfectly after you click it, you can still adjust that mask and nudge it around until you get something you like. My description might seem complicated, but it was actually very easy.

Pantone’s Mimosa, Emerald, and Marsala.

After this first image, I repeated the process over and over until my moodboard came to life. I left a few boxes purposely free of images to leave room for some text and font use, and because we were assigned to use three of Patone’s “Color of the Year” colors, and I hadn’t quite figured out how I wanted to incorporate them. So, at this point I went over to Pantone’s website and found the “Plus” hexcode for 2015’s color: Marsala. At first when I saw the color I thought it was kind of ugly, but when I saved the swatch in my library I realized it actually worked well with my trail theme; it was actually a very pretty, earthy tone. I’m sorry I ever doubted you, Pantone! I also decided to use their 2013 color, Emerald, and their 2009 color, Mimosa. I thought the three would pair well together.

Marsala (R: 173 G: 101 B: 95 | C: 10 M: 67 Y: 49 K:23)
Emerald (R: 0 G: 155 B: 119 | C: 99 M: 0 Y: 69 K: 0 )
Mimosa (R: 239 G: 192 B: 80 | C: 0 M: 15 Y: 75 K: 5 )

So, the first thing I did was set an empty ellipse’s background as Marsala, and put white text over it. (Side note: fonts used were Metallophile Sp8 in one and Myriad Std Tilt in another; I did have to change the leading in one to make it fill the box more.) That left me to place Emerald and Mimosa. Because Mimosa is so vivid and powerful, I knew I wanted to leave that for something very minimal. I decided to create a custom shape, an arrow, and filled it with Mimosa. Emerald felt more subtle, so I decided to use the paint bucket tool to paint my background in this color and I loved it, however this made my images blend in since they’re quite close to emerald as it is. I decided to put a 10px white stroke effect on my images, and put a drop shadow on both ellipses to make them pop.

Finally, our last requirement for the moodboard was to use a Photoshop action anywhere on the board. In our discussion post I had linked to this site, which displays 45 free Photoshop actions. I went back on that article and scrolled around and thought it would be pretty cool if I made one of my pictures “Bold Black and White,” so I downloaded that action. After I applied the action I realized I didn’t really want black and white, because I thought it took away from the overall feel. So I deleted the actual black and white adjustment and just kept the other parts of the action and applied it to the entire moodboard. After adjusting specific parts, I felt that it made the picture brighter and more vibrant.

Here is the final image:


Because I’m a little indecisive, I also have another option of my moodboard (below) without my Emerald background. Even though this means that it would not technically meet all of the requirements of my showcase, I still like it enough to add here. You can never have too many options, right?


Thank you for stopping by!

Green Initiative Logo Design: Water Warriors

Above: Hershey Kiss logo.

Happy Sunday, everyone! In this week’s classes we discussed logos. I’m currently enrolled in another class that is very design and logo-heavy, so it was nice to refresh the basics in this class. We reviewed many company logos and learned why some are better than others, and that many companies utilize their negative space to hide imagery.  You probably have heard about the forward arrow hidden in the FedEx logo, but did you know that Hershey’s Kisses’ has a hidden “kiss” between the K and the I? Neither did I, until this class! (Can we say mind-blowing?) Logos are a lot more than just a symbol; through research, time, and effort, what appears to be as simple image actually takes on the responsibility of defining the entire company. It’s a big job, and it’s harder than you realize to try and convey a message in one image.

For this design showcase, we were given two company scenarios to choose between and needed to design a logo for our chosen company. I picked the one described as “dealing with green initiatives in Los Angeles; non-profit; target audience: acquiring local business partners and overall awareness of green initiatives.”

There were 50 designs for us to manipulate to our heart’s desire. At first I was checking them out, trying to narrow the image down right away, but I quickly realized that I felt a little out-of-touch with my company. I was born and raised in New Jersey, so you can probably understand why. 😉 I took to Google and searched for Los Angeles, Los Angeles stereotypes, and things to do in Los Angeles to give myself a better idea of the overall mood in L.A. After reading a few articles (some written in jest, others not so much) I began to jot down some common themes people have with Los Angeles, like a sense of community, New-Age hippies, a love for sun and sea, sustainability, being healthy, etc. I realize that these are stereotypes, but you have to admit that it sounds like the perfect place for a start-up green company.

A short GIF of California’s drought progression in 2014. Source:

As I sat there, reading and brainstorming, it hit me: what’s something that we are constantly hearing on the news about California? That’s right: they are currently experiencing their worst drought in over a century. Bingo, I thought, perhaps if the drought was a state-wide problem, it would be an easy way to attract local attention of my company!

The logo I chose from about 50.

So, I went back to the list of 50 logos and scrutinized them. I finally settled on a logo that, to me, looked like a sun’s rays, changing color. I brought it over to my new document, which I had created quite large for flexibility, and saved it at 300 ppi since it will most definitely be printed. I really enjoyed this picture, because it reminded me of sunbeams fanning out on water. Since I had decided that water would be a major theme in my company, I wanted to incorporate water into my logo. To accomplish this I created a new, blue circle using the ellipse tool, nestled it into the negative circular space already in this image, and added about eight anchor points to the bottom of the ellipse. I then pulled all of them a little less than halfway up the circle to create a new shape, and pulled three anchor points using the direct selection tool even higher than halfway to mimic waves. I then played with the anchor points and their bezier curves until I had a shape whose negative space somewhat resembled waves of the ocean. I really loved the original image’s colors and felt that the blues and greens were a good marriage of earth and water, and didn’t feel the need to change it. I made my wave shape a brighter shade of blue, just to make it a little more distinguished and to separate it from the overall shape.

I settled on the name of “Water Warriors” with a tagline of “Dawn On A Greener L.A.” I chose a sans-serif font called Kannada MN Regular with no weight. I wanted to stick with a sans-serif font because to me they appear simple and raw–just like Earth. Since the name of the company was “Water Warriors,” I wanted each letter to stand strong, capable of standing on its own without leaning too closely to neighboring letters. After opening the characters panel, I set the name in small caps, and set the tracking to 25pts. I made the tagline’s colors a slightly lighter shade of grey so that the name stood out more clearly, and set the tracking a tad larger at 75.

Overall, I’m pleased with the final design of this logo for Water Warriors. Keeping the seven principles of logo design in mind, I wanted to make sure the logo was versatile yet simple enough to be used in a variety of mediums. Should Water Warriors take off and become a force for good in Los Angeles, I wanted their logo to be flexible enough to be used a variety of media for volunteers and promotions: pens, pins, T-shirts, embroidered on hats, stamped on mugs, and so on. I definitely believe this design could be easily manipulated for future rebranding, if necessary, as the type can easily be changed and altered as necessary.

Final image of my logo for the fictitious Water Warriors.

Below you’ll see a few options I created for Water Warriors, their design in Grayscale and inverted in black and white.

Grayscale version of the logo.
Inverted version of the logo.

Thanks for stopping by! See you next weekend.